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UFX FILTER 1.0 User Guide (rev B)
written & edited by ƒ®ø
Welcome
Thank you very much for purchasing (or trying) UFX FILTER - a product designed to provide you with exceptional control and stunning sonic possibilities.
What is UFX?
UFX is UJAM’s take on common and traditional effects.
What do we mean by UJAMs take? Well, at UJAM many of us produce music and use effects and audio processors ourselves. We feel that since they have been invented in the mid of last century - by and for sound engineers - there’s been a lack of innovation.
Effects are still mostly designed with sound engineers in mind - just look at the knobs and their names and you’ll see that most effect plug-ins still emulate hardware from the 60s.
What we are missing is creative effects. Built with the musician in mind, not only concerned with accuracy and technical excellence but also inspiration and creativity. That is what we are aiming for with UJAMs take.
With our Finisher series we went to the extreme - a Finisher is an inspiring black box with a few - often intentionally weird-labeled - variation knobs. A Finisher says “You want to play? Let’s play!” instead of “You have an effect problem? We should solve it in a very serious way.”
Finishers have been highly acclaimed and prized by users and press, and we’re proud of that. At the same time we’ve received a lot of user feedback asking for a little more control. Like ‘What tools have you got for me when I want to play a bigger part in the creation of the sounds and not just be surprised and wowed?’ Enter UFX.
The approach behind UFX REVERB, DELAY and FILTER is straightforward: Take a professional audio processing engine, slap a UJAM frustration-free user interface on it, then add some UJAM magic – we all want to play and have fun after all.
We designed UFX so that it speaks to musicians - creating, trying, exploring - not problem-solving - but of course the audio engine is more than up-to-par with the requirements of the sound engineer who looks for a new approach.
About UFX FILTER
Like its siblings, UFX REVERB and UFX DELAY, UFX FILTER combines modular, extremely customizable core effect - in this case an array of high-quality synthesizer filters - with creative multi-effects. It is an amazing tool for shaping, molding, tweaking and creating new sounds from your audio tracks and instruments
At the core of the plug-in are the 20 modes - these range from simple clean or dirty, tape and or digital, and more. We added several fun patterns at the end of the list that go beyond the proverbial filter effect, e.g. by pitching the signal by octaves, turning it into grain clouds or adding such complex patterns that you can turn a single note into a compelling background sequence.
You’ll find the usual set of parameters to tweak the effect to your music or your idea - from different stereo modes to feedback to modulation.
Tip: Always check out these parameters once you’ve selected a mode - particularly the Characteristics knobs often do clever things depending on the selected mode.
The UFX series also includes an effects section for additional processing–UFX FILTER includes both Shaper and Finisher, each with a variety of modes.
And lets not forget the intelligent Randomization function that creates new and often unheard-of Filter presets for you on the click of a button.
All this adds up to a unique plug-in that’s way more than its name might imply. We hope you have fun while expanding your sonic horizon, that it inspires you and provides lots of pleasant surprises.
So… tell us what you think. We can’t wait to hear from you about how you’re using UFX FILTER in your music - after all, that is what inspired it!
Installation
Installing with the UJAM App
We recommend installing UFX FILTER from the UJAM App – whether you’ve purchased it or are starting a new trial.
Installing without the UJAM App
Installation without the UJAM App is an option if needed. You can download the standalone installer from our knowledge base, then launch the installer and follow the prompts. (The UJAM App is still used to activate the plug-in, so after installing simply launch that and sign in, then click the ‘Refresh’ link.)
Trying, Buying, Authorizing
We only want you to spend money if you’re absolutely happy with UFX FILTER. That’s why, like with other UJAM plug-ins, we provide a free trial during which the plug-in will run without any limitation.
After the trial period expires, you will need to purchase a license if you wish to keep using it. Once you’ve done so, use the UJAM App for automated plug-in authorization.
When opening UFX FILTER during the trial period you will see this screen which shows:
- Information about your trial status
- Buttons to Continue Trial (taking you back to the plug-in) or Activate Now (if you own a license)
- A Buy Now button to take you to the UJAM store to purchase a UFX FILTER license
How to Authorize
- Make sure that the product license is in your account (check your licenses at ujam.com/backstage/products).
- Activate the license in the UJAM App (click the ‘Refresh now’ link at the bottom of the plugins)
- Installation and authorization help can be found at support.ujam.com
Quick Start
Before we look at things in more depth, let’s take a quick look at how to create and tweak UFX FILTER since that may be all you need for now. This super-short section will show you how to get started in a few minutes.
Opening the Plug-in
After installing UFX FILTER, you’ll find it in the Effect plug-in menu of your VST, AU or AAX-compatible digital audio workstation (DAW). Here you can select it as an insert on a track.
Exploring Global Presets
When you start using UFX FILTER in your DAW, take some time to browse through the global presets at the top bar. These presets, grouped into categories provide a variety of styles to suit different production needs. Pick a preset from the menu or step through the list by simply clicking the left/right arrows. This works best when you send a basic audio signal like a short loop to the plug-in (of course you can also play something live). Try using the Preset Lock feature to lock the Mix slider at a certain value (e.g. ~50%). This gives you consistent control when browsing presets. Once you’ve found a preset you like, use the Mix slider to get more or less of the selected effect.
[see the list of presets]
Creating Your Sound
Before you start the sound design, try deactivating Shaper and Finisher and set the Mix slider to at least 50% so you can clearly hear the effect.
Choose a Mode from its drop-down menu.
Adjust the controls in the Filter section: Cutoff, Reso, Slope.
Adjust the controls in the Modulation section: Rate, Depth, Shape.
Enable Shaper and/or Finisher and try different options from their lists.
That’s the easiest way to get started, but keep reading for more detailed information.
Managing the Plug-In
Presets
UFX FILTER has a large number of Factory Presets divided into descriptive categories.
Loading Presets
The Preset Menu at the top of the plug-in window lets you easily select a preset directly or step through the included presets.
You can either:
Click the arrow buttons to the right of the preset name to step through the list
Click the current preset name to open the dropdown menu
If you’re new to UFX FILTER, we recommend you set up a loop and just go through the Presets to get an impression of what it can do.
Saving Presets
Once you have made changes to a Preset, you can save it in different ways:
- Overwrite a Preset using the ‘Save’ command. Effective when you want that preset to recall the new settings.
- Create a new Preset with the ‘Save As’ command. Useful when you want to have both old and new settings available for recall.
Note:
- You cannot overwrite Factory Presets. Please use the ‘Save As…’ command to create a new version of that Preset and save it to the User Library.
- Either way, when saving a Preset, you can select a preset category for organization purposes. Once saved, you’ll find your new Preset in the ‘User’ folder, organized into whichever category you’ve selected.
Resizable Interface
The user interface is resizable to fit optimally on different sized screens.
To resize the window, do one of the following:
Click the rectangle shaped icon next to the notification bell in the top right corner.
Drag the three stripes in the bottom right corner of the user interface.
Update Notifications
The little Bell icon in the upper right informs you of available updates. When an update is waiting, the icon will show a dot and a dialog will open with more info.
Note: We do our best to ensure that updates do not break any existing projects, but it’s good practice to have a roll back plan just in case. Use the Uninstall feature in the UJAM App, then run the older standalone installer.
Plug-in Information
Clicking on the circled “i” in the top right banner of the user interface opens the About page where you can find the installed version # and other detailed information about your plug-in.
The About Page gives you access to various types of important information:
Acknowledgements – The people behind UFX FILTER
Visit Product Site – UFX FILTER product information on our website
Contact Support – Start a support ticket if you need help
Read User Manual – Opens the User Guide (looks like you did this!)
License Agreement – Opens the End User License Agreement (EULA)
Reference
Presets
Factory Presets are organized into the following groups:
| name | description |
| Mode Templates | Ideal settings for each filter mode, good starters for making own Filters |
| Sweeps | Presets with audible filter sweep created either by env or modulation |
| Retro | Sound aging or typical decade-old effects |
| Drums | Created for drums, percussion and anything rhythmic |
| Piano | Best with pianos, electric pianos and any kind of percussive keyboards |
| Guitar | Optimized for acoustic or electric guitars, clean or overdriven |
| Vocals | Make vocals more interesting or change their characteristic |
| Mix FX | Apply to entire mixes to create interesting intros, drops, risers a.s.o. |
| Ambient | Presets focussing on a filter-processed ambience |
|
Rhythmic
|
Great for rhythmifying sustained signals (pads, long notes etc.) but of course interesting for anything. |
| Synth | Synth-like processing for any kind of signal |
| Creative | Presets that turn the signal into something different |
| Sound FX | Harmonic and non-harmonic extreme manipulations |
Modes
UFX FILTER includes 20 different Modes.
(When going through the Modes, we recommend you set the Mix slider to at least 50%, so you can properly hear the effect while stepping through them.)
Selecting a Mode
UFX FILTER lets you select Modes in two different ways:
Click on the Mode title to open the List View then click any Mode name to select that Mode.
Click on the arrows below the selected Mode title to step back and forth through the list of Modes.
Note: When switching Modes, the other settings remain unchanged. To change knob settings along with Modes, step through the Presets.
Mode Reference
| Name | Description |
| Lowpass | Filters out the high frequencies |
| Highpass | Filters out the low frequencies |
| Bandpass | Filters out the low & high frequencies |
| Notch | Filters out the mid frequencies |
| Vintage LP | An analog lowpass filter |
| Broken LP | Like an old dusty circuit |
| Low / High | Sweepable lowpass to highpass |
| Dual Peak | Sweepable lowpass to highpass with 2 peaks |
| Tri Peak | Sweepable lowpass to highpass with 3 peaks |
| Dual Wide | Sweepable lowpass to highpass with extra width |
| Dual Contra | Sweepable lowpass to highpass with contrasting L & R |
| Dual Band | Bandpass with 2 peaks |
| Comb + | Sweepable comb filter boost |
| Comb - | Sweepable comb filter cut |
| Comb + Low | Sweepable comb filter boost low frequency |
| Comb - Low | Sweepable comb filter cut low frequency |
| Comb Contra | Sweepable comb filter with contrasting L & R |
| Talking 1 | Vocalizing Formant Filter 1 |
| Talking 2 | Vocalizing Formant Filter 2 |
| Talking 3 | Vocalizing Formant Filter 3 |
(When going through the Modes, we recommend you set the Mix slider to at least 50%, so you can properly hear the effect while stepping through them.)
Filter
The Filter section controls the frequency content of the processed audio.
| Name | Description |
| Cutoff | Controls the frequency of the filter |
| Reso | Controls the resonance of the filter |
| Slope | Controls how quickly the filter attenuates frequencies |
Modulation
The Modulation section adds rhythmic, dynamic motion to your sound which can be synchronized to the tempo of your song for precise rhythmic effects. Common applications include filter sweeps, tremolo, vibrato, and stereo motion, allowing for anything from subtle tonal shifts to dramatic, evolving textures. Modulation can bring life and expressiveness to static sounds, making them more engaging and dynamic.
| Name | Description |
| Rate | Controls the speed of the modulation |
| Sync | Selects between variable or the timebase grid (DAW tempo) |
| Depth | Controls how much modulation is applied |
| Shape | Sets the shape of the modulation, from traditional waveshapes (e.g. Sine), to random and sequenced shapes |
Env Mod
Envelope modulation is like controlling how a sound grows, changes, or fades over time. For example, when you play a piano, the sound starts loud, then gets softer, and eventually fades away. Envelope modulation is a process that shapes this rise and fall of sound, but it can be applied to other aspects of the sound, in this case frequency, to create different effects.
Mix Slider & Lock
The Mix control allows you to adjust the balance between the original and processed audio signals. Moving the slider to the left allows more of the original, unprocessed signal to come through, reducing the prominence of the filtered effect. Moving the slider to the right increases the amount of the processed signal in your output, thereby enhancing the filter effect.
Closing the lock will leave the Mix slider unaffected when changing Presets. This is handy when you’ve already decided on a Mix setting and just want to try Presets, for example if you have UFX FILTER on an Aux Bus and want the Mix to stay at 100%.
FX Input Mix
This knob allows you to send any mix of original and processed signal into the FX section, basically turning UFX FILTER into a full-on multi effect.
Surprise
Hit the Surprise button with the dice icon to create a new Surprise variation like a true Armégerizer. The Surprise function can give you anything between super-subtle variations and a complete change of everything. You can adjust the variation amount of each Surprise step using the knob labeled Small/Big.
Every time you click Surprise, a completely new mix of settings is generated as a start for you to create your individual reverb sound effect, which you can save as a preset. Almost everything is affected by the randomization – every control and button except Mix.
Shaper
The Shaper section incorporates various filters, allowing you to manipulate the frequencies of your processed audio signal. Click on the shaper title to open the drop-down menu or use the arrows to step through the list. You can also bypass this section by clicking on the ‘on/off‘ switch.
In general each shaper works by allowing certain frequencies to 'pass' through the filter while reducing or 'attenuating' others based on the specific characteristics of the filter. These alterations can be used for a variety of purposes, such as cleaning up or adjusting the tone or 'color' of the output signal.
Finisher
UJAM's innovative multi-effect Finisher concept is your invitation to explore a whole new world of sound. Seamlessly integrated into our Virtual Instruments and effects, or available as separate plug-ins within the Finisher series, it promises an endless playground of auditory experimentation. It's a powerful orchestration of various effect processors and your secret weapon for creative sound design.
The selection process is simple: either click on the current Finisher mode name to reveal a comprehensive list, or click the arrows to step through the options. You can also bypass this section by clicking on the ‘on/off‘ switch.
The beauty of the Finisher Mode is its ability to automate, allowing you to switch modes mid-track for an even more dynamic sound. Just a word of advice: some algorithms might cause brief glitches when switched, so plan for a short pause if required.
The Finisher effects are also incredibly exhilarating to control live, enabling you to create mesmerizing sounds with the amount knob.
Shaper Options
| Name | Description |
| Tilt | Attenuate or accentuate lower or higher frequencies |
| High Cut | Cuts high frequencies |
| High Boost | Increases high frequencies |
| Low Boost | Increases low frequencies |
| Mid Boost | Increases mid frequencies |
| Mid Cut | Reduces mid frequencies |
| Filter Sweep | Modulated lowpass |
| Env Filter | Wah effect responds to audio level |
| Lowpass | High frequency cut |
| Lowpass Reso | High frequency cut with resonance |
| Brickwall | Lowpass |
| Bandpass | Low and High frequency cut |
| Bandpass Reso | Low and High frequency cut with resonance |
| Highpass | Low frequency cut |
| Highpass Reso | Low frequency cut with resonance |
| Notch | Selectable mid cut |
| Notch Reso | Selectable mid cut with resonance |
| Manual Phaser | Phasing |
| Manual Phaser Reso | Phasing with resonance |
| Comb | Comb filter |
| Reso Comb | Comb filter with resonance |
| Env Comb Up | Envelope with Comb swept up |
| Env Comb Down | Envelope with Comb swept down |
| Radio | Mimics sound of a small radio |
| Telephone | Mimics sound of a phone |
| Megaphone | Mimics sound of a megaphone |
| Tube | Vacuum tube distortion |
| Fuzz | Guitar pedal distortion |
| Amp | Guitar amplifier distortion |
| Saturate | Overdrive |
| Lo-Fi | Reduced fidelity |
| Bit Crush | Reduced bit rate |
| Filt Crush | Bit rate and high frequency reduction |
| Filt Dist | Distortion with Lowpass Filter |
| Resonators | Frequency resonance |
| Inharmonic | Inverts frequency spectrum |
| Ring Mod | Ring modulator |
| Rumble | Increased low frequencies |
| Sizzle | High frequency exciter |
| Pan | Placement in the stereo field |
| Width | Variable adjustment from mono (centered) to stereo |
Finisher Options
| Category | Name | Description |
| AMBIENCE | Short and Bright | A short reverb with open high frequencies |
| Short and Dark | A short reverb with dampened high frequencies | |
| Wide Hall | Hall reverb with wide stereo field | |
| Large Chamber | A big chamber reverb | |
| Extra Wide | Wide stereo reverb with pre-delay | |
| Nice Standard | Studio-type reverb | |
| Nervous | Distorted reverb | |
| Creamy Dreamy | Rich reverb with reflections | |
| Tyrell Hall | Large stone reflective hall | |
| Space Infinite | Long/wide reverb | |
| Ten Mile Desert | Long reverb | |
| Reverse | Backwards reverb | |
| BASIC | Tremolo | Creates a pulsating or "trembling" sound that adds texture, movement and dynamics |
| Auto Pan | Add a sense of motion to a sustained or repeated sound with this speedy auto-panning effect. | |
| Slicer 1/8 | Modulates and chops the signal into 8th notes using a beat cutter and auto-filters | |
| Slicer 1/16 | Modulates and chops the signal into 16th notes using a beat cutter and auto-filters | |
| Gate | Speed Gater, similar to “Gate 1/12” | |
| Gate 1/4 | Speed Gater with 4th note gate length | |
| Gate 1/8 | Speed Gater with 8th note gate length | |
| Gate 1/12 | Speed Gater with a 12th note gate length | |
| Gate 1/16 | Speed Gater with 16th note gate length | |
| Gate 1/32 | Speed Gater with 32nd note gate length | |
| Saw Gater | Similar to “Gate 1/12” but with Sawtooth oscillator | |
| Vibrato | A regular, pulsating change of pitch | |
| Chorus | Thickens the sound and makes it richer | |
| Flanger | Flanger effect based on a modulated delay line | |
| Phaser | Creates a swirling or whooshing Phaser effect | |
| Phaser Fbk | Another Phaser effect with incorporated feedback | |
| Warm Drive | A soft saturation distortion | |
| BEYOND | Time Warp | A sequenced ring modulator |
| Time Is Fleeting | Allows you to scratch your brass signal by means of a cut up tape delay | |
| Sea Of Resonances | Freezes your signal into a cloud of sound with various, slowly moving resonances | |
| Synthesize | Abstract blips of digital synthesis | |
| Drones | Spooky atmosphere | |
| Flutizer | A bunch of ambient flutes | |
| Electro Cluster | Purposefully cold sounding delays and re-sequences | |
| Evolving Freeze | Turns your signal into an ever-evolving pad | |
| Raindrops | Random pitches | |
| Voodoo Glitchcraft | Random sample/hold | |
| Clappedy Go | Rhythmic phasing | |
| Voodoo Poisoned | Resonant ring modulation | |
| CHARACTER | Filter Alterations | Rhythmic filter |
| Bit Crush | Resonant bit crushing | |
| Toe in the Mud | Reduces definition | |
| Evil Drones | Distance effect | |
| High Tones | Eliminates low frequencies | |
| Neo Super LoFi | Sample rate reduction | |
| Neo Space Station | Resonant feedback | |
| Neo Hot Bath | Bit rate reduction | |
| DELAY | Delay 1/2 | Delay set to a half note value |
| Delay 1/4 | Delay set to a quarter note value | |
| Delay 1/8D | Delay set to a dotted 8th note value | |
| Delay 1/8 | Delay set to an 8th note value | |
| Delay 1/16 | Delay set to a 16th note value | |
| Ping Pong 1/4D | Stereo Pingpong Delay set to a quarter dotted value | |
| Ping Pong 1/8D | Stereo Pingpong Delay set to a dotted 8th note value | |
| Ping Pong 1/8T | Stereo Pingpong Delay set to a 8th triplet value | |
| Multi Tap 1/8D | MultiTap Delay set to a dotted 8th note value | |
| The Shining | Highpass | |
| The Syncopator | Slap delay | |
| GLITCH | Big Groover | Sequenced sample rate reduction |
| Second Shadow | Adds echoes of chopped up re-sequencing of the original signal | |
| R2 Flange2 | Turns your signal into a particularly cute robot | |
| Retro Gamer | Makes your signal small and decorates it with various gameboy-ish artifacts | |
| Percussive Resonances | A stepped and auto-panned bandpass filter | |
| Hardcastle Cutter | A multi-faceted stuttering effect | |
| Filter Bros | Random chopped rhythm | |
| Pitch Screamer | Highpass resonance | |
| Ever Rising | Moving high frequency | |
| MOVE | HPF Motions | A stepped high-pass filter sequence |
| Reversinator | Reverses the signal in a short time slice | |
| Reversinator Long | Reverses the signal in a long time slice | |
| Percussionizer | A combination of sequenced equalizers and pitch shifters | |
| Industrial Delay | A time-synced, ever-changing delay that randomly changes playback direction | |
| Pan Sequencer | A more sophisticated version of an ‘auto pan’ effect | |
| Terminator Bend | Applies the infamous half-tone pitch drop to the signal, made famous by a well-known movie | |
| Tape Stopper | The traditional tape stop effect | |
| PolyMod | Adds various types of modulation and filtering, which are offset in a polyrhythmic way | |
| Drama Swell | In case your brass swells are not dramatic enough | |
| Long Term Modulator | Sequenced automation of EQ, filters, chorus, delay | |
| Ducker Straight | Straight volume ducking | |
| Ducker Complex | Ducking via filtering, delay, panning and automation | |
| Drive the Sequence | Heavy limiting | |
| Ring the Phone | Phasing highpass | |
| Double Timer | Rhythmic highpass | |
| Strobe Light | Sawtooth tremolo | |
| Moving Cloud | Pulsating moving filter | |
| Fragments | Rhythmic transients | |
| Old Cassette | Distortion, wow & flutter, keep a pencil handy! | |
| PITCH | Glitch Grooves | Pulsating glitches |
| Pitchman | Twisted tuning | |
| Swamp Creature | Phasing highpass | |
| Fluxx Cutter | Sample and hold | |
| Vorlon Scale | Ring modulation | |
| Voodoo Tormentor | Pitched up with feedback | |
| Voodoo Bullet Time | Pitched up with phase | |
| Neo Infinity | Infinite feedback | |
| TONE | Fat and Dirty | Saturation |
| Way Too Old | Lowpass | |
| Schizophrenic | Clipping | |
| Munch Filter | Lowpass with sweeping filter | |
| Historic | Just mids | |
| Damperesque | Resonance | |
| Pimp My Brahms | Adds a lower octave | |
| Take The Fifth | Adds a 5th above |
Checking and Setting Levels
The Input Level Meter and Slider in the bottom left corner of the plug-in allows you to attenuate or amplify the level of the signal you send into UFX FILTER, and the Output Level and slider on the right side does the same for the signal coming out of UFX.
A few tips:
Signals are usually at an optimal level if they are around 0.0 dB. Adjust them if they’re not.
Optimal input levels are important particularly for Modes that use any kind of dynamic treatment.
Optimal output levels are particularly important to avoid clipping and if you use subsequent processing in the same track.
Note that while you drag a slider, the resulting change will be displayed in dB.
UFX FILTER is optimized to alter the signal’s level as little as possible from input to output, but depending on the frequency content of the input signal and the processing applied this is sometimes unavoidable.
Using Input Level to Optimize Effects
Many effects, particularly dynamic filters, use the input signal level to control movements in the effect. If the input signal level is too high, you will hardly hear any effect.
If you need to lower the Input Level a lot, compensate with Output Level. Of course… YOU knew this!
Automating Controls
UFX FILTER can be fully automated and MIDI-controlled and you will quickly realize how useful this is and how significantly it can improve your productions.
For example, you can create stunning introduction or riser effects by slowly increasing the Finisher Knob. Build cool sequences by switching the Mode every few beats or add emphasis on specific beats by fading in the effect only on certain words or chords.
Automatable Parameters
The displayed parameters can be automated via DAW Automation and – with the exception of Mode – using MIDI Control Change events.
(When automating the Mode, you will notice that between certain effects there are noticeable morph fades. These are due to temporary level jumps between the complex effect configurations and they can protect your speakers and ears. No reason to worry!)
DAW Automation
To control a parameter using the automation of your DAW, find where you activate automation (usually a menu in the track inspector or hotkey “a”) and choose the parameter.
Assigning Knobs to MIDI Controllers
It’s great fun to modulate the UFX controls with your favorite MIDI controller. However, this requires a little bit of work on your end, because all DAWs handle MIDI controllers differently for effects. There is no ‘MIDI Learn’ functionality in most of them.
Below is an example screenshot from Logic Pro – here you press B for the Smart Control view, then you can assign every UFX control to a Smart Control internally using the Learn function, and do the same for assignment of your MIDI Controller to Logic.
Feedback
Feedback isn’t just fun for guitarists, it’s absolutely critical to our mutual success. We wouldn’t be here without you, so it’s really important that we hear from you. Whether you’re wrestling with a problem or have suggestions on ways to improve our products - we want to know about it!
Ask Us
If you need help or have questions about any of our products, our support team is here for you – please Submit A Request via support.ujam.com
Tell Us
You’re the ones using this stuff to create, so tell us what (else) you need it to do. User feedback has influenced individual products and features and even inspired entire series of products at times. Thank you for any feedback you’d like to share – here are a few links you can use to reach us:
Visit our Facebook page: facebook.com/ujaminstruments
Comment on our Youtube videos: youtube.com/ujaminstruments
Comment on our Instagram posts: instagram.com/ujaminstruments
Additional resources: linktr.ee/ujaminstruments
Join Us
We are growing our community of users and providing more ways to connect. From our Facebook group to Discord and beyond. We hope you will join the conversation and maybe even share some of your music as we help each other in our creative adventures.
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